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Robert Menasse: Blessed times, fragile world

Contrary to my pre-announcements, I would now prefer this review but first ...



Leo Singer, the son of relatively wealthy, Jewish exiles returning home in Vienna of the 60s and a peculiar anti-hero of this novel is the epitome of what is for generally - with a well-measured breeze mockery - as the eternal philosophy student and always hesitant, though not untalented would ne'er-do smile.
obsessed with Hegel's Phenomenology of Spirit and the grandiose vision of a reversal, and thus completion of dialectical thought, the weak-willed Singer failed to receive better opportunities but again and again, even beyond academia to spread my legs. Instead, he suffers as a mama's boy involuntary stable under the harsh rule of an overprotective, yet loveless, pedantic and never-to-please mother. And although Singers spirit remains nevertheless always active and constantly on the solution of theoretical problems and issues pass attempts, both his student years in Vienna, and the later years of his scholarly Oblomov-existence almost without exception in pleasant paralyzing inaction and lethargy, without it ever succeeds, something of real importance to bring to paper. The mentally unstable
Judith Katz, a former fellow student, unrigged literary scholar and also a child of Jewish immigrants developed in this long period of upheaval finally important to prevent Singers caregiver and companion. And although Singers fail modest advances in the end most of his awkward, inexperienced shyness and the fundamental difference between the two characters, their recurring presence for him or as inspirational. Her, his incarnate antithesis against which it is writing to rebel acts now a source of identity and source of all his philosophical, but always only fragmentary work. The beginning of a self-destructive Amour fou among intellectuals, which culminated in the face of his own failure as a literary makers finally in a last, drastic measure Singers ...

Menasse understands like no other contemporary author of the German-language literature on large-scale, detail underdog stories. Also blessed times, fragile world is such a literary genius of his pranks. In Gesture exaggerated never pompous or bombastic, yet always expressive, he sketched with precise spring simple, but not all poetry renouncing words and an unmistakable sense of quiet nuances and the tragic comedy of the two main characters whose long way towards the inevitable, common ruin. These are without doubt to the study of literature common fragile neurotic prototypes of what the novel does, thanks to the credible, plastic, clichés always skillfully circumvent representation, however, no demolition.
Despite the sometimes unbearably grotesque awkwardness of his life incapacitated protagonist succeeds Menasse nevertheless take over again, and again the reader for this. Suffers and fever, for example, with quite arrogant without pathos when bulky Singers knowledge of Hegel's philosophy, despite all efforts, yet never want to add to a large, written down the whole and can not suppress a quiet smile still completely accessible. But
Menasse knows how to unsettle the perfect form. It penetrates deep into the bottomless depths of the human psyche and describes the emerging from those dark corners of such atrocities but sober, reserved and untheatralisch that if there is a such a mellow shudder. One wonders, finally, dismayed as it ever could have happened that cultured people of such education, as Katz and Singer were able to judge in such uncompromising and relentless basis without further portion is taken out. What remains in the end is a alarmed, bitter at all oppressive disbelief that even the halbversöhnliche circuit can not completely neutralize.

Conclusion:
blessed times, fragile world is a radical, profound, and must-read book for lovers of sophisticated literature, a gem of a modern novel, full of countless philosophical bon mots, which currently still has no equal. Never a lengthy, highly respectable, successful work on the genesis of an equally ambitious, but never succeed be work.
self Menasses constant recourse to Hegel's complex world view this is not particularly problematic and should be in the context of the humanities also not very knowledgeable lay open, without reducing the other reading experience considerably.
5 of 5 stars.

Teresa Maienschein

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Giovanni Boccaccio: The Decameron

Boring! Reviews in which I argue can not controversial and needs to do a lot less fun ...



Florence 1348th A devastating plague forces the once proud city in the knee. Who has not taken away, and quickly ran away. Including seven young ladies and three young men who escape from the joint auspicious of mischief confinement of the city and exchanged views on the ever-present death and illness from now against the as yet untouched idyll of the surrounding Tuscan estates do. Having recently arrived, in addition to all sorts of other amusements and very soon provided the necessary Kurzweil: From now on, every day in turns amusing tales of all kinds, in each case subject to a pre-determined, free theme, are given for the best. What follows is a fictional background story embedded in those, enjoyable round of a hundred humorous, sometimes macabre and obscene short stories, which are now considered one of the most important collections of medieval, vernacular short prose texts at all.
addition to its outstanding significance for the study of literature knows often referred to as a seminal influence amendment cycle but still come up with very different qualities.
Contrary to all reservations, which are a literary work of the 14th Century compared to cherish, like, we are dealing here not only with a little uptight and old-fashioned piece of dusty, professorial light reading, but rather with a virtuoso of Boccaccio in the most saturated colors colored fresco of sensuality and love of life that unfolds before the eye of the reader in an overwhelming abundance and vitality. It is teeming with quirky, lascivious shapes and modest, bashful ladies to their supposed chastity is not the end but then ordered for the best. It is loved passionately, fervently hated, suffered deceived and misled shameless, nasty rivals will be made without hesitation and remorse of killing off while actually are embarrassed respectable wives for no matter how great brazen method to coat their stolid husband's horns. The hypocrisy of the clergy gets', eg in the form of instinctual Friar Alberto, who have sexual intercourse the simple-minded Lisetta surreptitiously by himself as an angel Gabriel spends away from her well-deserved grease.
Despite all that vulgarity and sometimes almost pornographic seeming coarseness Boccaccio yet always manages to temper his vulgar burlesque tone and refine by a fine proportioned breeze thanks to irony and unerring flair for slapstick again most excellent.
Especially in contrast to the conventional narrative of medieval art, such as the high medieval courtly epics and works of the most prudish, anemic and stereotyped figure drawing presented by Boccaccio delicate and bold composition as a special feature.
the readers of today might, however, the long term something monotonous overall structure of the short story collection, and on a slight modification of resistant repetitive input formulas, that make use of the fictional narrator and the narrator inside time after time again, disturbing. Also like in some places too scrolled and stilted language does not correspond to everyone's taste. In addition, the many artful variations prevent it from progressing number not live without exception, that deplete certain recurring motifs noticeably while sometimes leaves a sour aftertaste of the previous systems have already left.

Conclusion:
Boccaccio Decameron is a very respectable, literary work of art for connoisseurs. But literature and the curious amateur, who are willing to engage in open mind to the occasional bit antiquated language, despite the aforementioned shortcomings can certainly get their money. May be some passages read something hard, it is ultimately still the 100 entertaining and for the 14th Century unusually blunt stories that a fully compensate for the applied efforts. Whoever thought up to now, the Middle Ages had been a buttoned, unusually frigid period of history, here, at least proved wrong.
4 out of 5 stars.

Teresa Maienschein